What You'll Find Here

I post daily (photos of my journal pages, things that inspire me and personal bits and pieces) to inspire and encourage others. I have always believed that if I can do it, so can you.

You'll find resources (my favorite supplies, books, slideshows of my art journal pages, favorite bloggers, etc...) listed along the right hand side of my blog.

I've been teaching both in person and online workshops for over seventeen years now. You can find out more about my classes by scrolling down along the right hand side of my blog. I strive to make classes accessible to everyone (both beginner to advanced).

I love teaching and truly believe that deep down inside everyone is an artist, capable of creating something. There is power and knowledge in the act of creating something with your own hands, made from your own heart and head.

If you have any questions, please feel free to email me at EGorey99@sbcglobal.net

Thanks for stopping by!

-Kelly

Monday, November 24, 2014

A Closer Look at November and December Classes

Here's my list of classes that I've booked so far for November and December 2014.

I'm ALWAYS looking for new teaching venues so if you know of any that may be interested, I'd love to hear. I have taught at stores, museums, schools, backyards, garages, studios and private homes.

My workshops are always process-based learning while creating a unique product. I am well known for not traveling light and bring a large variety of supplies including (but not limited to) collage material, rubber stamps, stencils, pens, markers, tape and more. Please note the small supply list for each class. 

If you're not near where I'll be teaching, but you're interested in taking a class, I do offer a variety of online classes (23 different online workshops as of Spring 2014.) You can find out more info on the right side of my main blog.


I hope to see you there!

Sunday, November 23, 2014

1 September 2014 Journal Page


“Every artist is born in a place, within a family, and though she may leave those sources far behind, they remain within her.”


and there's also this one:

“We don't often see our own stories. Good artists are the ones that whisper our own stories back to us.” 

-Tori Amos, Tori Amos: Piece by Piece

Saturday, November 22, 2014

New Book Love


Last night I took a little break from my Big To Do List and trekked with David to Burbank for their, "Holiday in the Park" on Magnolia. It was a lot of fun! We've been to their event Ladies Night Out several times where all of the shops are open late and small vendors line the street. Last night they even had strolling Christmas carolers. 

We popped into one of our favorite bookstores, Dark Delicacies where I was happy to see that they still had a handful of copies of "The Art of the Book of Life" signed by Jorge R. Gutierrez (director and writer), Douglas Langdale (writer.) I love making of film books. They're chock full of art and inspiration. 

We also picked up soda (Americana Root beer for me and Sprockets cream soda for David) at Rocket Fizz (love that place) and wandered up and down the street wandering into new stores to check out their offerings. 

When we're in Burbank, we always pop into our favorite used bookstore, Iliad in North Hollywood. I have been to a lot of bookstores and this one is always my favorite. I (finally) found two Damon Runyon books (I am a huge old time radio fan and The Damon Runyon Theater is a favorite.) I also found an art book that had been in my wishlist for a bit called, "Seeing With the Mind's Eye." I didn't notice it until Dan (the owner) pointed out that the book was signed (and had been owned by) Frank Kelly Freas (Mad Magazine readers will recognize that name. He was a well known science fiction illustrator.) I also bought a couple of flower and photography books to cut up. 

Speaking of collage, issue #1 of FABA arrived yesterday. That was fast. I just blogged about it a couple of days ago. I've only flipped through it but I like what I see so far!

What books and magazines are you reading?

Friday, November 21, 2014

31 August 2014 Journal Page


Busy weekend ahead. I'll be prepping for my class on Sunday at Scrampers in Torrance and selling at the Book Arts LA event Thanksgiving weekend. Working on finishing up my journals for sale. I'll be bringing some to the BALA event on Saturday (11/29) and some I'll have on my blog very, very soon (I'm aiming for the first week in December.)

People often ask where I get my images. I have a post here (this is under my essential supplies post button that is always on the right hand side of this blog) that talks about not only where I get my collage material but also other supplies as well. As far as the flowers, I hit my local used bookstore (or library sale, thrift store, etc...) on a regular basis and head towards the gardening section. Hope this helps those of you who have asked.

Thursday, November 20, 2014

More Thoughts on Collage




“It’s not where you take things from—it’s where you take them to.” -Jean-Luc Godard

Collage isn't simple "cut and paste" as some say. It's figuring out how to put the pieces together in the best way to say what you need to say at that moment in time.

It takes the same skill and knowledge as every other art form does. Playing. Experimenting. Asking questions. Exploring. Making and learning from mistakes. Pushing.

To dismiss it as being a purely simple art form diminishes what so many of us do. Any artist's work evolves and changes with time as much as we do on a human level. The more you work at something, the better you become at it. The more you show up for your work, the more you show up in your work.

Collage is not simple. It's the art of transformation. It's taking materials and tools and piecing them together in a way that creates something that never existed before. It's painting with paper. It's composing with paper and paste. It's sculpting and molding. It's all of this and so much more. 

“The beauty of the collage technique is that you’re using sounds that have never met and were never supposed to meet. You introduce them to each other, at first they’re a bit shy, clumsy, staring at their shoes. But you can sense there’s something there. So you cut and paste a little bit and by the end of the song you can spot them in the corner, holding hands.” -Jens Lekman

Wednesday, November 19, 2014

30 August 2014 Journal Page


I just added another event to my November schedule. I'm not teaching but I will be selling my handmade journals as well as working in my journal at the Book Arts LA Holiday Sale on Saturday, November 29th from 10 a.m. to 5 p.m. I have not sold my work in person at a show for many years now so, if you're interested, catch me while you can. I will also be selling my journals online very, very soon (between the week of Thanksgiving and the first week of December is my goal.)

My class this Sunday in Torrance is a go! I hope to see you there.

Blog Love:
Gate A-4 (best thing I've read on the internet this week)
I ordered two new (to me) magazines this week: FABA (collage) and Mabel Magazine. No new Flow yet. 

Tuesday, November 18, 2014

AFI Fest 2014


Last week, David and I attended the AFI Fest (a film festival in Hollywood.) We had known about it for years but did not realize until a couple of weeks ago that it was free and that you didn't need to spend hundreds of dollars to attend. I scooped up several free tickets every day to a variety of films. For five days, we were in a little bubble in Hollywood going back and forth between the Egyptian Theatre and the Dolby Theatre (where the Oscars are held.) 


 

Sunday night, my good buddy, Connie, raced me home from teaching in Arizona in time to catch Chuck Workman's Magician: The Astonishing Life and Work of Orson Welles. I've raved about Workman before and if you haven't seen Precious Images, it's worth the seven minutes of your time.

I enjoyed seeing the film. I loved seeing the clips of Welles and those who knew and loved him. I was very happy that Peter Bogdanovich was in attendance (I would've loved it if he had been on stage with Workman instead of answering questions from the audience.) My biggest complaints about the film would be the focus on Welles' weight (enough already) and the time wasted listening to folks (whose work I like but...) who didn't know Welles, blather on about how wonderful Welles was (Richard Linklater, for one.) They also overlooked Welles' politics in the film. All of that said, I was very happy to see the film and it is definitely worth seeing.


 Monday afternoon, David and I trekked back to the Egyptian to see Sophia Loren and Marcello Mastroianni in Yesterday, Today and Tomorrow. What a film! I loved it and would definitely recommend it. Fun to see on the big screen.

We quickly left the theatre, ran across the street to grab dinner (pizza at Stefano's which I wouldn't recommend) and got back in line to see one of my all time favorites, Cinema Paradiso.

The only thing you need to know about this film is that if you see it (and you should), make sure that it is the 124 minute cut. Trust me on this one.
 



We go to the Egyptian a lot and I've never seen this before. Most of the theatre was reserved for folks in the business. We found out when we left that not only did we watch the film with the director, Giuseppe Tornatore in attendance but Al Pacino was there, too! It's not every day that you get to watch a film with Pacino! Danny DeVito had a seat reserved in the front row next to the Italian Consul! Here he is doing a little dance for me:


 
 Director, Giuseppe Tornatore introduces the film:

 

On Tuesday, we were in Hollywood by 3:30 but were told that we could not line up until 6:30. Well, it turns out that they let folks line up about 6:10 once they cleared the insane line for Selma. It wasn't done in the safest way as we were all hovering across the street and we were nicely "in order" over there. David and I were about the tenth and eleventh people in line. Well, a woman screamed that we could line up now and people started RUNNING across the street. Not so safe, people. We ended up being 39th and 40th in line by the time they started handing out the damn tickets (people saving spots for their friends!) My biggest complaint about this festival is that (like San Diego Comic Con's Hall H Line) tickets need to be given out AS people get in line. Not an hour or so before the film starts. We barely made it into see the not so secret showing of Clint Eastwood's American Sniper.
 
Clint Eastwood spoke for about two minutes before the film began. It was great to see him in person even if it was only for a short period of time.
I'm glad that I saw it but it was awfully hard to watch. I had no idea going in that it was based on a true story. I would recommend if you don't know anything about it and you plan on seeing it, don't read anything about it until AFTER you see the film. David summed it up best, "It was interesting to see but I wouldn't see it again."
 

Wednesday night found us in line again extra early for the big Gala tribute to Sophia Loren. By the time we got in line, we were 59 and 60. By the time they handed out the tickets, we were 119 and 120. WTF, people?! 

We sat in the orchestra section, about six rows from the stage. Neither one of us had ever been in the Dolby Theatre before and I was surprised at how small it was. (This is where the Oscars have been held the last few years.)

Sophia walked across the stage in high heels to thunderous applause and a standing ovation.
It was great to hear Sophia tell her tales of working in film. When asked about Marlon Brando she said, "Meh." She explained that she was always the first on the set. Brando was always late. She didn't like that kind of attitude about the projects that she was working on. Loren said Chaplin asked Brando if he was going to continue being late and if so, he would get another actor. 

 

We left after Sophia spoke as I really wanted to see Jauja with Viggo Mortensen in attendance. I will never forget the look my husband gave me when it was announced that Viggo wasn't going to be there.

I loved the film. It's definitely not one that everyone will appreciate. It was worth it for scenes like this one (my favorite shot from the film):  
Jauja

If you didn't know already, Viggo is a visual artist as well as a poet and photographer. I bought his art books and loved listening to him talk politics before I found out that he was also an actor.
 

The last film of the week for us was Foxcatcher. We ended up second row orchestra on the left hand side of the Dolby Theatre this time. I took a few photos of the crew and cast (Steve Carell is in the above shot.)

This was another film that I knew absolutely nothing about going in. David told me that it was about wrestling and I just rolled my eyes. The acting in this film is freaking amazing. It's totally an actor's film, completely character driven. You've never seen Steve Carell like this before! Mark Ruffalo and Channing Tatum were also amazing (especially Ruffalo.) I would recommend seeing it but again, if you don't know anything about the film, don't read up on it before you go. 

(From Cinema Paradiso and how I feel when I watch a film.)

It's always surreal going to a Comic book convention or anything that puts you in a little bubble for a short period of time. You even go through withdrawals afterwards. You feel like you should be running to a panel or a film instead of standing in line at the post office.

I'm not one to watch a film (or read a book or make art) because I want to escape. I watch films because I want to be open to possibility. I want my eyes, ears, heart and hands open to the world around me. Film is a way of looking at the world and seeing how others around me see it, seeing the potential that all of us have and wondering how we can reach that potential. It's not just sitting in the dark. It's having my eyes wide open.

How many more days until AFI Fest 2015?